A good immigrant always speaks in German, no matter how broken; a bad immigrant only uses another language.

The exhibition SPARE PART BODIES by Ingeborg Lockemann and Birgit Schlieps presents works of various transformative processes of trash.

The artists raise the question of how new technologies and digital and physical architectures control our emotions and bodies.

The exhibition “48 hours Novosibirsk” is a guest contribution of the Siberian festival of the same name. After artists from Neukölln participated in the Novosibirsk festival, artist positions of Novosibirsk show a multifaceted picture of oppression and counterpressure - snapshots from the time before the war of aggression against Ukraine.

“There are only two things sauna cannot cure: death and a broken heart“ - Finnish proverb

Galerie im Saalbau presents in a group exhibition the artworks of seven nominated artists for the Neuköllner Kunstpreis 2022.

The artist collective TBC exhibits traces of their common, neighborly work.

In her “@wut” (@anger) exhibition, Gunilla Jähnichen thematically confronts anger and attempts to fathom the ambiguity of it as a feeling.

With visible stitches, the artists in this exhibition reveal their personal scars and offer insights into strategies for self-preservation and healing. Sutures, visible traces in tissue, represent the process of artistic work and the wound healing that accompanies it. The stories of these women become visible — stories that had been concealed behind material, hidden by material. Hand-sewn textile works testify to resilience and are a collective protest against invisibility, oppression, and violence.

In everyday life, we are constantly surrounded by images. They shape the way we perceive other people and cultures.