In a poetic and critical manner, Mariona Berenguer examines the position of (artistic) labour in our society. Today, work no longer only serves to secure livelihoods and satisfy needs, but acts as a source of self-esteem and self-fulfilment — not least through the redemption from guilt and debt.

The Galerie im Saalbau presents the seven nominated artists for Neukölln Art Prize 2024 in a group exhibition.

Elisa Duca’s artistic practice is shaped by transcultural experiences of foreignness and has its place in post-migrant society. In her performative installations she creates living mixed states, hybrids, in which the dissolution of binaries can be experienced.

The apparent tranquility of things often hides incongruities. Océane Moussé’s exhibition of smudged, crumpled, accumulated, layered, and tattered landscapes reveals a latent tension and underscores the persistent idea that one landscape can conceal another.

We live in a class society in which not everyone has the same opportunities for personal development from birth. Social mobility is possible, but strongly influenced by family resources. To what extent does an examination of class and classism take place in the visual arts?

Seven international artists explore the concept of bodily autonomy through different artistic media and invite visitors to imagine what it would be like if everyone could decide freely and without restrictions about their bodies.

The Galerie im Saalbau presents the seven nominated artists for Neukölln Art Prize 2023 in a group exhibition.

A good immigrant always speaks in German, no matter how broken; a bad immigrant only uses another language.

The exhibition SPARE PART BODIES by Ingeborg Lockemann and Birgit Schlieps presents works of various transformative processes of trash.

The artists raise the question of how new technologies and digital and physical architectures control our emotions and bodies.