Exhibitions

Nach Bild is a call to action. Nach Bild is a manifesto. Nach Bild asks about the aftermath—a world in which images have abandoned us.

After Image, Under Stimulation is Vinzenz Aubry’s first solo exhibition and invites visitors to experience the expansive interactive installations.

The exhibition brings together two photographic works that examine alcohol addiction from different perspectives. Stefanie Moshammer approaches the subject from a personal, poetically condensed perspective, while Eric Meier chooses a documentary-style approach. In this juxtaposition, questions arise about responsibility, social invisibility, and dignity.

The solo exhibition “That Every Stone Is” by artist Patricia Morosan invites visitors to rethink the relationship between humans, matter, and time. The starting point is the spectacular rock formation*Les Vaches Noires* on the coast of Normandy—a place of geological and paleontological depth and mythical charge.

Sculptor Cornelia Herfurtner questions how we deal with the omnipresent visibility of violence. With her wood reliefs, inlays, dough prints, and stickers, she highlights how actions from a private context, such as eating or sleeping, take on political dimensions in public spaces.

Galerie im Saalbau presents the nominated artists for the Neuköllner Kunstpreis 2026 in a group exhibition.

In beyond tongues, Sarah Oh-Mock and Bongjun Oh present collaborative works from a decade of artistic partnership. The immersive installation of objects, photos, and videos follows a transcultural aesthetic that transcends linguistic and cultural boundaries. Art becomes a universal language beyond national and material definitions.

n e b u l a explores the ephemeral as a central element of artistic inquiry, engaging with states of transition, suspension, and uncertainty in our present moment. The exhibition brings together artistic positions that examine fluid identities, visual overlays, and the dissolution of fixed meanings. Image, body, and language open up a space of in-betweenness — where meaning oscillates, shifts, and dissolves. Fog is not approached as a motif; rather, n e b u l a is conceived as a condition: as transition, as process, as a space of possibility.

TAKING SPACE IS A FEMINIST ACT explores the transformative force of queer-feminist spatial practices.