The solo exhibition That Every Stone Is by artist Patricia Morosan invites visitors to rethink the relationship between humans, matter, and time. The starting point is the spectacular rock formation Les Vaches Noires on the coast of Normandy—a place of geological and paleontological depth and mythical charge. In engaging with these cliffs, which are over 100 million years old, an imagined space of experience emerges for the non-human, for geological timescales, and for feminized perspectives on connectedness, care, and coexistence with the more-than-human world.
Through various artistic media such as photography, screen printing, sculptural works, and video, the exhibition allows visitors to experience how geological matter—especially stone—can be understood as a living, powerful presence.
It follows a posthumanist way of thinking that recognizes not only humans, but also things, materials, and landscapes as active agents within ecological and political structures. Inspired by thinkers such as Jane Bennett, Donna Haraway, and Bruno Latour, poetic, scientific, and speculative narratives intertwine to create a multi-layered space